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초보가 꾹꾹이와 멀티중 톤공부?하기엔 뭐가 좋을까요 조회: 1,046 답변: 2  
kec*** | 2014-08-26 09:29 스크랩 0 | 신고  

 이제 3개월정도 일렉을 배워가는중인데 꾹꾹이와 멀티중에 고민중에 있습니다. 이전에 우연찮게 코르그 ax1500 모델을 지인에게 받았었어서 만져봤지만 오래된거라 그런지 소리도 영그렇고 해서 톤공부를 위해 사려는데 꾹꾹이를 사려니 추천하는것도 너무 많고 멀티를사자니 뭔가 부족하다는 소리가 많고... 어떤것이 나을까요?






112.144.39.30
질문이 채택된 경우, 추가 답변 등록 이 불가합니다.

       Re:초보가 꾹꾹이와 멀티중 톤공부?하기엔 뭐가 좋을까요
  신고 | 좋아요  93 명
           smseihi*** | 2014-08-26 09:43

단품 이펙터들을 사모으자면 기본 8종 (와우, 컴프레서, 오버드라이브, 디스토션, 메탈, 코러스, 플렌져, 딜레이) 와 파워서플라이, 볼륨페달, 이펙터 보드 등 갖추는데, 좀 괜찮은 것으로 하자면 200만원 훌쩍 넘어 버립니다.

 

자금이 100만원 이하라면 멀티 이펙터를 사용하는 것이 훨씬 좋습니다.        간편하고 자신의 음색 만들어 마음대로 기록해 놓았다가 불러 쓸 수 있고, PC 에 USB 로 연결하여 음색을 편집하거나 녹음을 할 수도 있구요.

 

처음 이펙터를 사용하신다면, 유명한 이펙터들을 샘플링한 음원을 사용하는 아래의 멀티 제품을 추천드립니다.

 

 

6  
Digitech RP500 최신 RP시리즈 멀티이펙터
 520,000 원

   아래의 명품 이펙터들을 샘플링한 음원이 탑재되어 있어서 유명 단품 이펙터들을 써 보고 어느 것이 본인의 취향에 맞는지 경험해 볼 수 있습니다.

 

> SCREAMER (Based on an Ibanez® TS-9)
> TS 808 (Based on an Ibanez TS-808 Tube Screamer)
> SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
> OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
> DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
> RODENT (Based on a Pro Co RAT™)
> MX DISTORTION (Based on an MXR® Distortion +)
> DS (Based on a Boss® DS-1™ Distortion)
> GRUNGE (DigiTech® Grunge®)
> ZONE (Based on a Boss MT-2 Metal Zone®)
> DEATH METAL (DigiTech Death Metal™)
> GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
> 8TAVIA (Based on a Roger Mayer Octavia™)
> FUZZLATOR (Based on a Demeter Fuzzulator)
> CLASSIC FUZZ (Based on a DOD Classic Fuzz)
> FUZZY FACE (Based on an Arbiter® Fuzz Face™)
> BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
> REDLINE (DigiTech® Redline Overdrive) 

57 CHAMP Based on a '57 Fender® Tweed Champ®
57 DELUXE Based on a '57 Fender® Tweed Deluxe™
59 BASSMAN Based on a '59 Fender® Tweed Bassman®
62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®
65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®
65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb®
65 JTM-45 (Based on a '65 Marshall® JTM-45
68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL Based on a '68 Marshall Jump Panel
77 MASTER VOLUME Based on a '77 Marshall Master Volume
83 JCM800 Based on an '83 Marshall JCM800
93 JCM900 Based on a '93 Marshall JCM900
01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
62 AC15 Based on a '62 Vox® AC15
63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
MARK 4 Based on an '93 Mesa Boogie Mark IV
TRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier
99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
96 MATCH HC-30 Based on a '96 MatchlessTM HC30
88 SLO-100 Based on an '88 Soldano SLO-100
GA-40 Based on a Gibson® GA-40
5150 II Based on a Peavey® 5150® II
JAZZ COMBO Based on a Roland® JC-120
SOLAR 100S Based on a Sunn® 100S
HT-100 Based on a Randall® HT-100
OJ 120 Based on a Orange™ OR 120
SUPER G Based on a Laney™ Supergroup
DIGITECH SOLO DigiTech® Solo
DIGITECH METAL DigiTech Metal
DIGITECH BRIGHT CLEAN DigiTech Bright Clean
DIGITECH CHUNK DigiTech Chunk
DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
DIGITECH CRUNCH DigiTech Crunch
DIGITECH BLUES DigiTech Blues
DIGITECH FUZZ DigiTech Fuzz
DIGITECH SPANK DigiTech Spank
DIGITECH HIGH GAIN DigiTech High Gain
DIGITECH MONSTER - Maxed out gain
DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface poweramp
DIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman poweramp
DIGITECH STONERROCK – Thick, sludgy distorted amp tone
DIGITECH DARKMETAL – Responsive, tight metal tone
DIGITECH TRANSISTOR – Solid state transistor amp sound
DIGITECH BROWNSOUND – Hot rodded 80’s stack tone
DIGITECH MOSH – Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
DREADAUGHT ACOUSTIC
JUMBO ACOUSTIC

CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s
DIGITECH SOLO 4X12 4x12 DigiTech® Solo
DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
DIGITECH METAL 4X12 4x12 DigiTech Metal
DIGITECH ROCK 4X12 4x12 DigiTech Rock
DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
DIGITECH SPANK 4X12 4x12 DigiTech Spank
DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
DIRECT No cabinet model 

Wahs:
DigiTech® Wah
Cry Wah Based on a Dunlop® Cry Baby™ Wah
Clyde Wah Based on a Vox® Clyde McCoy™ Wah

Compressors:
DigiTech® Compressor
CS Compressor Based on an Boss® CS-2 Compressor/Sustainer
Dyna Comp Based on an MXR® Dynacomp™

Noise Gate:
DigiTech® Silencer™ Noise Gate
DigiTech Auto Swell Gate

EQ:
3-band semi-parametric EQ

Chorus Stompbox Models:
DigiTech® Dual Chorus
DigiTech Multi-Chorus
DigiTech Glistening Chorus
CE Chorus based on a Boss® CE-2 Chorus
TC Chorus based on a TC Electronics® Chorus

Flanger Models:
DigiTech® Flanger
DigiTech Triggered Flanger
MX Flanger based on MXR® Flanger
EH Flanger based on Electro Harmonix® Electric Mistress™
AD Flanger based on ADA™ Flanger

Phaser Models:
DigiTech® Phaser
MX Phaser based on MXR® Phase 100
EH Phaser based on Electro Harmonix® Small Stone™

Pitch Models:
DigiTech® Whammy™
DigiTech® Pitch Shift
DigiTech® Detune
DigiTech® Harmony Pitch
Octaver based on a Boss® OC-2 Octaver™

Vibrato / Rotary Models:
DigiTech® Vibrato
DigiTech® Rotary
DigiTech® Vibro / Pan
Unovibe based on a Unicord Uni-Vibe™

Tremolo Models:
DigiTech® Tremolo
DigiTech® Panner
DigiTech ScatterTrem – Dual tremolo effect
Opto Tremolo based on a Fender® Opto Tremolo™
Bias Tremolo based on a Vox® Bias Tremolo

Envelope / Special Models:
DigiTech® Auto Yah™
DigiTech® YaYa™
DigiTech® Synth Talk™
DigiTech® Step Filter
DigiTech® Sample & Hold
DOD FX25 based on DOD® FX25 Envelope Filter

Delays:
Digital Delay
Analog Delay
Pong Delay
Modulated Delay
Tape Delay
Reverse Delay
DM Analog Delay based on Boss® DM2 Analog Delay
Echo Plex based on a Maestro EP-1 Tube Echoplex

Reverbs:
Lexicon® Ambience
Lexicon® Hall
Lexicon® Room
Lexicon® Studio
Spring based on a Fender® Twin Reverb™
EMT240 based on an EMT® 240 Plate Reverb

 

 

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121.50.21.20
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Re:초보가 꾹꾹이와 멀티중 톤공부?하기엔 뭐가 좋을까요
  신고 | 좋아요  91 명
da201*** | 2014-08-26 20:29
톤공부는 저가형에서는 멀티 이펙터가좋습니다 하지만 멀티이펙터중 대부분은 시물레이션 사운드기 때문에 드라이브계열 사운드가 조금 인위적인 사운드가 나옵니다 그래서 그런것들 감안하시고 구매하시면 되겠네요 앰프를 소지하고 계신다면 앰프내의 드라이브에서도 공부를 해보셔도 괜찮을것 같네요

211.192.151.226
100자 이내 작성 가능

 
 

 

 

 
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