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Á¦Á¶±¹(¿ø»êÁö) Hal Leonard/USA  [ºê·£µå »óǰ º¸±â] Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶ ǰÁúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
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First 50 Recording Techniques You Should Know To Track Music
·¹ÄÚµùÀ» À§ÇÑ 50°³ÀÇ Çʼö Å×Å©´Ð
Recording Technique

 
  
ÃâÆÇ»çHal Leonard
ÀúÀÚBill Gibson
¾ÆÀÌÅÛ #00294443
ºÐ·®112 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹
  


À½¾ÇÀ» ³ìÀ½ÇÏ´Â ÀÏÀº ƯÈ÷³ª ¿äÁò °°ÀÌ º¯È­ ¹«½ÖÇÑ ±â¼ú°ú ȯ°æ¿¡¼­ ´õ´õ¿í ¹÷Âù ÀÛ¾÷ÀÌ µÉ ¼öµµ ÀÖ½À´Ï´Ù.
º£Å×¶û ÇÁ·Îµà¼­ÀÌÀÚ ¿£Áö´Ï¾îÀÎ ºô ±é½¼ÀÌ ¾´ ÀÌ Ã¥¿¡´Â ÇÁ¸® ÇÁ·Î´ö¼Ç, ³ìÀ½½Ç ȯ°æ, ÀÎÅÍÆäÀ̽º, ¸¶ÀÌÅ©ÀÇ Á¾·ù¿Í Å×Å©´Ð, µå·³/±âŸ/º£À̽º/ÇǾƳë/º¸ÄÃ/ÀüÀھDZ⠵îÀÇ ³ìÀ½ ¹æ¹ý, ½ºÆ©µð¿À ·¹ÄÚµù ÀÌÆåÅÍ µîÀÇ ´Ù¾çÇÑ ÁÖÁ¦°¡ °£°áÇϰí ÀÌÇØÇϱ⠽±°Ô ¼³¸íµÇ¾î ÀÖ¾î ´Ù¾çÇÑ ¼¼ÆÃ°ú ȯ°æ¿¡¼­ Áú ³ôÀº ³ìÀ½ °á°ú¹°À» ¾ò´Âµ¥ µµ¿òÀÌ µË´Ï´Ù.


- Contents -

Preface
Technique 1: Preparing for Greatness
Technique 2: The Song
Technique 3: Preproduction
Technique 4: The Environment
Technique 5: The Importance of Studio Acoustics
Technique 6: Control Room Monitors
Technique 7: Choosing an Interface
Technique 8: Managing the DAW
Technique 9: Choosing the Right Microphone
Technique 10: Microphone Polar Patterns
Technique 11: Stereo Mic Techniques
Technique 12: Miking the Kick Drum
Technique 13: Miking the Snare Drum
Technique 14: Miking Toms
Technique 15: Overheads and Hats
Technique 16: Drum Room Mics
Technique 17: Equalizing Drums
Technique 18: One Mic on Drums
Technique 19: Two Mics on Drums
Technique 20: Three Mics on Drums
Technique 21: Four Mics on Drums
Technique 22: Bass Guitar Dl
Technique 23: Miking the Bass Cabinet
Technique 24: Acoustic Guitar
Technique 25: Acoustic Guitar DI
Technique 26: Miking Acoustic Guitar
Technique 27: Stereo Miking Acoustic Guitar
Technique 28: Miking the Electric Guitar Cabinet
Technique 29: Multiple Mics on Electric Guitar
Technique 30: Electric Guitar Effects
Technique 31: Electric Guitar Through a DI
Technique 32: Stereo Electric Guitar
Technique 33: Grand Piano
Technique 34: Electric Piano
Technique 35: Organ
Technique 36: Synthesizers
Technique 37: Vocal Performance
Technique 38: Vocal Mic Choice
Technique 39: Vocal Mic Technique
Technique 40: Backing Vocals
Technique 41: Vocal Groups and Choirs
Technique 42: Track a Band at Home
Technique 43: Tracking in a Commercial Studio
Technique 44: Commercial and Home Studio
Technique 45: Compression Parameters
Technique 46: Using the Compressor
Technique 47: Compressing Vocals and Instruments
Technique 48: Gates and Expanders
Technique 49: Delays
Technique 50: Reverberation
Glossary
About the Author 

 








 


 

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