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ÇÒ ·¹¿À³ªµå ÀçÁî º£À̽º ¸Þ½îµå (¿Â¶óÀÎ À½¿ø Æ÷ÇÔ)<br>Hal Leonard Jazz Bass Method [00150959]

 
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Hal Leonard Jazz Bass Method [00150959]


 
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Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Hal Leonard/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óǰº° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Á¶±¹(¿ø»êÁö) Hal Leonard/USA  [ºê·£µå »óǰ º¸±â] Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶ ǰÁúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
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Hal Leonard Jazz Bass Method [00150959]
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ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 

 


 

 

 

Hal Leonard Jazz Bass Method
ÇÒ ·¹¿À³ªµå ÀçÁî º£À̽º ¸Þ½îµå
for Acoustic and Electric Bass
Bass TAB
Book & Online Audio

 
  
ÃâÆÇ»çHal Leonard
ÀúÀÚMatthew Rybicki
¾ÆÀÌÅÛ #00150959
ºÐ·®138 ÆäÀÌÁö
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ÇÒ ·¹¿À³ªµå¿¡¼­ ÃâÆÇÇÑ ÀçÁî º£À̽ºÀÇ Á¾ÇÕ ±³º»ÀÔ´Ï´Ù. 
ÀúÀÚ Matthew Rybicki ´Â Á¤Åë ÀçÁî ½ºÅ¸ÀÏ¿¡¼­ ÀڽŸ¸ÀÇ ¿öÅ· º£À̽º ¶óÀΰú ÀÓÇÁ·Î¹ÙÀÌÁî ¼Ö·Î¸¦ ¸¸µå´Âµ¥ ²À ÇÊ¿äÇÑ Áö½ÄµéÀ» ¼Ò°³Çϰí ÀÖ½À´Ï´Ù. 
¿¹Á¦µéÀÇ ¸ð¹ü ¿¬ÁÖ À½¿øÀÌ ¿Â¶óÀÎÀ¸·Î Á¦°øµÇ¸ç Ray Brown, Paul Chambers, Scott LaFaro¸¦ Æ÷ÇÔÇÑ ¸¹Àº ÀçÁî º£À̽ºÀÇ Àü¼³ÀûÀÎ ¿¬ÁÖÀÚµéÀÇ ½ºÅ¸ÀÏ·Î ¿¬ÁÖÇÏ´Â ¹æ¹ýµéÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù. 
¿öÅ·ÀÇ ±âº», ÄÚµå¿Í ½ºÄÉÀÏ, ºí·ç½º, ¸®µë º¯È­, ½ºÆ®¸µ ·¹ÀÌÅ·(raking), ¼Ö·Î, Å×Å©´Ð, ÄÚµå ġȯ, Æä´Þ Æ÷ÀÎÆ®¿Í ¿À½ºÆ¼³ªÅä µîÀÇ ´Ù¾çÇÑ ³»¿ëµéÀÌ ¿À¼± ¾Çº¸¿Í º£À̽º Ÿºê¾Çº¸·Î µ¿½Ã¿¡ ½Ç·Á ÀÖ½À´Ï´Ù. 


- Contents - 

INTRODUCTION 
OVERVIEW: WHAT IS THIS THING CALLED ¡°JAZZ¡±? 

CHAPTER 1 
Living in Harmony: Intervals&Chords 
Technique Tune-Up: Getting a Sound 
Changes Are Inevitable: Introduction to Chord Progressions 
Bass Accompaniment: Role Call 
Preparing to Solo: Major and Pentatonic Scales 
All Ears on You: Introduction to Soloing 

CHAPTER 2 
Living in Harmony: Major. Minor, and Dominant Seventh Chords 
Technique Tune-Up: Fingering Strategies 
Changes Are Inevitable: The All-Important ii-V-I Progression 
Bass Accompaniment: The Two-Feel 
Preparing to Solo: Minor Scales 
All Ears on You: Creating Melodies of Your Own 

CHAPTER 3 
Living in Harmony: Chord Extensions 
Technique Tune-Up: Swing Time 
Changes Are Inevitable: The I-vi-ii-V Progression 
Bass Accompaniment: Walking Bass Lines 
Preparing to Solo: Modes 
All Ears on You, Part 1: Connecting Notes 
All Ears on You, Part 2: Chord Scales 

CHAPTER 4 
Living in Harmony: Major and Minor 6ths and Suspended Chords 
Technique Tune-Up:Skipping 
Changes Are Inevitable: The Blues Progression 
Bass Accompaniment: The Shape of Lines to Come 
Preparing to Solo: The Blues Scale 
All Ears on You: Composition in Real Time 

CHAPTER 5 
Living in Harmony. The ¢Ú9th and ¢Ú13th 
Technique Tune-Up: String Raking and Triplet Drops 
Changes Are Inevitable: The Minor Blues 
Bass Accompaniment: The Ostinato 
Preparing to Solo: Scales for the ¢Ú9th and ¢Ú13th 
All Ears on You: Telling a Story 

CHAPTER 6 
Living in Harmony: The #9th and #11th 
Technique Tune-Up: Emulating the Human Voice 
Changes Are Inevitable: "Bird" Blues 
Bass Accompaniment: Chord Substitution 
Preparing to Solo: Scales for the #9th and #11th 
All Ears on You: The Right Notes in the Right Places 

CHAPTER 7 
Living in Harmony: Diminished and Half-Diminished Chords 
Technique Tune-Up: Playing with the Bow 
Changes Are Inevitable:Diminished Chord Applications 
Bass Accompaniment: Ballad Basics 
Preparing to Solo: Scales for Diminished and Half-Diminished Chords 
All Ears on You: Making the Changes 

CHAPTER 8 
Living in Harmony: The #5th and ¢Ú5th 
Technique Tune-Up: Thumb Position 
Changes Are Inevitable: The Cycle-of-4ths Progression 
Bass Accompaniment: The Jazz Waltz 
Preparing to Solo: The Altered and Whole-Tone Scale 
All Ears on You: lmprovising with Alterations 

CHAPTER 9 
Living in Harmony: Compound Chords 
Technique Tune-Up: Two-Finger Technique 
Changes Are Inevitable: Rhythm Changes 
Bass Accompaniment: Speed Walking 
Preparing to Solo: Bebop Scales 
All Ears on You: Heighten Your Mobility 

CHAPTER 10 
Living in Harmony: Hybrid Chords 
Technique Tune-Up: Beat Manipulation 
Changes Are Inevitable: Modal Progressions 
Bass Accompaniment: Pedal Point 
Preparing to Solo: Conventional Chord Scales for Unconventional Chords 
All Ears on You: Upper-Structure Triads 

EPILOGUE 
ABOUT THE AUTHOR  

 





 


 

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