½ºÄð¹ÂÁ÷ ¹«ºê·£µå   ·Î±×ÀÎ °í°´Áö¿ø¼¾ÅÍ ÃÖ±Ùº»»óǰ
movland

ALL SET EVENT
0
ȸ¿ø´Ô
³ªÀÇ ¹«ºê·£µå
 

Ȩ   >   µµ¼­   >   ¼öÀÔµµ¼­ (¿µ¹®)   >   À½¾ÇÀÌ·Ð
»óǰ¹øÈ£ : 26932
The II-V-I Progression<br>¿Â¶óÀÎÀ½¿ø Æ÷ÇÔ (00843239)

 
  ÄíÆù°¡´É ÁÁ¾Æ¿ä 444 ¸í

The II-V-I Progression
¿Â¶óÀÎÀ½¿ø Æ÷ÇÔ (00843239)


 
44,000¿ø(ºÎ°¡¼¼ Æ÷ÇÔ)
  

  ¹«ÀÌÀÚÇҺΠ| °¡°Ýº¯µ¿ ¾Ë¸² | ÀÔ°í ¾Ë¸²½Åû | Äü ÂøºÒ ¹è¼Û
¹è¼Ûºñ 5¸¸¿øÀÌÇÏ 2,500¿ø
¹è¼Û¾È³» Áö±Ý ÁÖ¹® ÇϽøé 1~3ÀÏ À̳»¿¡ ¹ÞÀ¸½Ç ¼ö ÀÖ½À´Ï´Ù.
ÁÖ¹®¼ö·®
-
+
 EA
°áÁ¦±Ý¾× 44,000¿ø
 
 
 
 
 
»óǰ Àç°í ÇöȲ
ÀûÀ½ º¸Åë ¸¹À½


X
<
>
Æ÷Åä/µ¿¿µ»ó( )
Àüüº¸±â | 1 / 0 < >
°°ÀÌ º¸¸é ÁÁÀº »óǰ
BEAT FINGERS °¥´ë ÇÚµé ¸¶¸²¹Ù ¸»·¿ Medium Hard (BF-R2MM)
49,000
BEAT FINGERS ij³ª´Ù»ê È÷ÄÚ¸® Ä÷¯ µå·³½ºÆ½ / ·¹µå (BF-AH5AW-RD)
10,500
SKB 4 x 14 Snare Case ½º³×¾îÄÉÀ̽º(1SKB-D0414)
160,000
Çí½º HEX µå·³½ºÆ½ HDS3-5A (¸ÞÀÌÇÃ)
5,900
BEAT FINGERS °¥´ë ÇÚµé ºñºê¶óÆù ¸»·¿ Medium Hard (BF-R2VM)
49,000
Los Cabos - 55AB Hickory / ·Î½º Ä«º¸½º µå·³ ½ºÆ½ (LCD55ABH)
15,000



Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Hal Leonard/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óǰº° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Á¶±¹(¿ø»êÁö) Hal Leonard/USA  [ºê·£µå »óǰ º¸±â] Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶ ǰÁúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
ǰ¸í ¹× ¸ðµ¨¸í The II-V-I Progression
¿Â¶óÀÎÀ½¿ø Æ÷ÇÔ (00843239)
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù
(Á¦Á¶ÀÏÀÚ ¾Æ´Ô)
2014³â 10¿ù 10ÀÏ A/S ¾È³» (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 


 

 

 

The II-V-I Progression
Jazz Play-Along, Vol. 177
Book & Audio Online

 
  
ÃâÆÇ»çHal Leonard
ÀúÀÚLarry Dunlap
¾ÆÀÌÅÛ #00843239
ºÐ·®288 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹
  


¸ðµç °îµéÀÌ CŰ »Ó¸¸ ¾Æ´Ï¶ó Bb, Eb, ³·Àº À½ÀÚ¸®Ç¥·Î °¢°¢ ±âº¸µÇ¾î ÀÖ´Â Jazz Play-Along ½Ã¸®Áî´Â ¸ðµç ÀçÁî ¹ÂÁö¼Çµé¿¡°Ô °îÀ» Ä¿¹öÇÏ°í ¹è¿ì±â À§ÇÑ ÃÖ°íÀÇ µµ±¸ÀÔ´Ï´Ù. 

Jazz Play-Along ½Ã¸®Áîµé Áß Æ¯º°È÷ ·¹½¼ºÏÀ¸·Î ³ª¿Â ÀÌ Ã¥¿¡´Â ÀçÁî¿¡ ÀÚÁÖ »ç¿ëµÇ´Â ÄÚµå¿Í ½ºÄÉÀÏ¿¡¼­ºÎÅÍ ¸ÞÀÌÀú¿Í ¸¶ÀÌ³Ê ÇÁ·Î±×·¹¼Ç, ±×¸®°í ¸á·Îµñ ¹× Çϸð´Ð ÆÐÅϰú º¯Áֵ鿡 ´ëÇÑ ³»¿ëÀÌ ½Ç·ÁÀÖ½À´Ï´Ù. 
±×·¯¸é¼­µµ Jazz Play-Along ½Ã¸®Áî´ä°Ô C, Bb, Eb, ³·Àº À½ÀÚ¸®Ç¥·Î ±âº¸µÈ ¾Çº¸µé·Î ¸¹Àº ¹ÝÁÖ Æ®·¢µéÀÌ ÇÔ²² ¼ö·ÏµÇ¾î À־ ¹è¿î ³»¿ëµéÀ» ¹Ù·Î Àû¿ëÇØº¸¸é¼­ ¿¬ÁÖÇÒ ¼ö ÀÖ°Ô ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù. 
¿¬½ÀÀ» À§Çؼ­ °¢°¢ÀÇ ¿¹Á¦µéÀº ¸á·Îµð°¡ ºÐ¸®µÇ¾î ÀÖ´Â Æ®·¢, ÇÁ·ÎÆä¼Å³Î ¸®µë Æ®·¢, º£À̽º¿Í ÇÇ¾Æ³ë ÆÄÆ®¸¦ »¬ ¼ö ÀÖ´Â Æ®·¢ µîÀÇ µ¥¸ð ¿Àµð¿À°¡ ¿Â¶óÀÎÀ¸·Î Á¦°øµË´Ï´Ù. 
¶ÇÇÑ ¿¬ÁÖÀÇ ¹ÝÁÖ¿ëÀ¸·Î »ç¿ëÇÒ ¼ö ÀÖ°Ô ¸á·Îµð¸¸ ºüÁø Ç® ½ºÅ×·¹¿À Æ®·¢µµ ÇÔ²² Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. 
ÀÌ ÆÐŰÁö¸¦ ÅëÇØ II-V-I ÇÁ·Î±×·¹¼Ç¿¡ ´ëÇÑ ±âº»ÀûÀÎ ÀÌÇØ¿Í ÄÚµå ¹× ½ºÄÉÀÏ, II-V-I À§¿¡¼­ ÄÚµå ÁøÇà ±¸»óÇϱâ, II-V-I ¿¡¼­ ½ºÄÉÀÏ ¿¬ÁÖÇϱâ, II-V-I À» À§ÇÑ ´Ü¼øÇÑ ÆÐÅÏ, ´Ù¾çÇÑ ¹ÚÀÚ¿Í ÀÀÃàµÈ ÇÁ·Î±×·¹¼Ç, ÀÓÇÁ·Î¹ÙÀÌÁ¦ÀÌ¼Ç µîÀ» ÀÍÈú ¼ö ÀÖ½À´Ï´Ù. 

halleonard.com/mylibrary¿¡ Á¢¼ÓÇØ¼­ Ã¥¿¡ ÀμâµÇ¾î ÀÖ´Â ¾×¼¼½º Äڵ带 ÀÔ·ÆÇÏ¸é »ç¿îµå »ùÇÃÀ» ¿Â¶óÀÎÀ¸·Î µè°Å³ª ´Ù¿î·Îµå ÇÒ ¼ö ÀÖ½À´Ï´Ù. 


- Contents - 

About the Author 
About the CDs 

All Instruments 
Chapter 1 Introduction 
   Meet the ll-V-l Progression 
Chapter 2 Chords and Scales 

C Instruments 
Chapter 3 Major ll-V-l: An Introduction 
   Outlining Chords Over Major ll-V-l Progression 
   Playing Scales Over Major ll-V-l Progression 
   Simple Patterns for Major ll-V-l Progression 
Chapter 4 Major ll-V-l Variations 
   The V7 Chord Altered 
   Condensed ll-V-l Progression and Other Time Signatures 
Chapter 5 Major ll-V-l: Various Patterns 
Chapter 6 Minor ll-V-l: An Introduction 
   Outlining Chords Over Minor ll-V-l Progression 
   Playing Scales Over Minor ll-V-l Progression 
   Simple Patterns for Minor ll-V-l Progression 
Chapter 7 Minor ll-V-l Variations 
   The V7 Chord Altered 
   Condensed ll-V-l Progression and Other Time Signatures 
Chapter 8 Minor ll-V-l: Various Patterns 
Chapter 9 Chord Charts for CD Tracks plus Practice Tunes 
   Major ll-V-l Progressions 
   Minor ll-V-l Progressions 
   Practice Tunes 
      All for One 
      Deep Blue 

B¢Ú Instruments 
Chapter 10 Major ll-V-l: An Introduction 
   Outlining Chords Over Major ll-V-l Progression 
   Playing Scales Over Major ll-V-l Progression 
   Simple Patterns for Major ll-V-l 
Chapter 11 Major ll-V-l Variations 
   The V7 Chord Altered 
   Condensed ll-V-l Progression and Other Time Signatures 
Chapter 12 Major ll-V-l: Various Patterns 
Chapter 13 Minor ll-V-l: An Introduction 
   Outlining Chords Over Minor ll-V-l Progression 
   Playing Scales Over Minor ll-V-l Progression 
   Simple Patterns for Minor ll-V-l Progression 
Chapter 14 Minor ll-V-l Variations 
   The V7 Chord Altered 
   Condensed ll-V-l Progression and Other Time Signatures 
Chapter 15 Minor ll-V-l: Various Patterns 
Chapter 16 Chord Charts for CD Tracks Plus Practice Tunes 
   Major ll-V-l Progressions 
   Minor ll-V-l Progressions 
   Practice Tunes 
      All for One 
      Deep Blue 

E¢Ú Instruments 
Chapter 17 Major ll-V-l: An Introduction 
   Outlining Chords Over Major ll-V-l Progression 
   Playing Scales Over Major ll-V-l Progression 
   Simple Patterns for Major ll-V-l Progression 
Chapter 18 Major ll-V-l Variations 
   The V7 Chord Altered 
   Condensed ll-V-l Progression and Other Time Signatures 
Chapter 19 Major ll-V-l: Various Patterns 
Chapter 20 Minor ll-V-l: An Introduction 
   Outlining Chords Over Minor ll-V-l Progression 
   Playing Scales Over Minor ll-V-l Progression 
   Simple Patterns for Minor ll-V-l Progression 
Chapter 21 Minor ll-V-l Variations 
   The V7 Chord Altered 
   Condensed ll-V-l Progression and Other Time Signatures 
Chapter 22 Minor ll-V-l: Various Patterns 
Chapter 23 Chord Charts for CD Tracks plus Practice Tunes 
   Major ll-V-l Progressions 
   Minor ll-V-l Progressions 
   Practice Tunes 
      All for One 
      Deep Blue 

Bass Clef Instruments 
Chapter 24 Major ll-V-l: An Introduction 
   Outlining Chords Over Major ll-V-l Progression 
   Playing Scales Over Major ll-V-l Progression 
   Simple Patterns for Major ll-V-l Progression 
Chapter 25 Major ll-V-l Variations 
   The V7 Chord Altered 
   Condensed ll-V-l Progression and Other Time Signatures 
Chapter 26 Major ll-V-l: Various Patterns 
Chapter 27 Minor ll-V-l: An Introduction 
   Outlining Chords Over Minor ll-V-l Progression 
   Playing Scales Over Minor ll-V-l Progression 
   Simple Patterns for Minor ll-V-l Progression 
Chapter 28 Minor ll-V-l Variations 
   The V7 Chord Altered 
   Condensed ll-V-l Progression and Other Time Signatures 
Chapter 29 Minor ll-V-l: Various Patterns 
Chapter 30 Chord Charts for CD Tracks plus Practice Tunes 
   Major ll-V-l Progressions 
   Minor ll-V-l Progressions 
   Practice Tunes 
      All for One 
      Deep Blue 
 

 

 








 

ÀÏ¹Ý ±¸¸Å Èıâ( 0 )
[1]








Q&A ( 0 )
[1]

½ºÄð¹ÂÁ÷ ÀÌ´ÞÀÇ À̺¥Æ®
½ºÄð¹ÂÁ÷ ¹«·á ¹Ýǰ!
2019. 4. 25. ~
Hotone Ampero ±¸ÀԽà Àü¿ë ±ã¹é ÁõÁ¤
2024.02.01. ~
ÀÏ·º±âŸ Æ÷Åä±âºä À̺¥Æ®
2025.1.20. ~
3+1 MOGE ½ºÆ®¸µ ÃÊÆ¯°¡
2024.06.11 ~
New Gravity ¸±·¹ÀÌ Ã¼Çè´Ü
2025. 4.29. ~
 
¿ÀÁ÷ ½ºÄð¹ÂÁ÷¿¡¼­¸¸! ToneX Á¶»õÆ®¸®¾Æ´Ï ¿¡µð¼Ç
2025.04.01. ~
¹«ºê·£µå ·±Äª À̺¥Æ®
2025. 5.23. ~ 6.30.
½ºÄð¹ÂÁ÷ ¿Â¶óÀÎ ¹ÂÁ÷ ÇÁ·Î´ö¼Ç °æ¿¬
2025. 5. 9.~ 6.29.
½ºÄð¹ÂÁ÷ ESP ÇÁ¸®¿À´õ ¼­ºñ½º
2020. 6. 5. ~
S±Þ ¸®ÆÛ ÇÒÀÎ
2024.12.01. ~
ÃÖ±Ù º» Á¦Ç°
Vic Firth Jojo Mayer ½Ã±×´Ïó ½ºÆ½(SJM)
17,900
ºí·¢ ´ÙÀ̾Ƹóµå Black Diamond Stainless Steel º£À̽º ½ºÆ®¸µ 045-105 (500MB)
Black Coated Nickel Bass Medium Long Scale
64,400
Jaco Pastorius (Bass Play-Along)
ÀÚÄÚ ÆÄ½ºÅ丮¿ì½º º£À̽ºTAB ¾Çº¸Áý(¿Â¶óÀÎÀ½¿ø Æ÷ÇÔ) [00128407]
27,000
On Stage ¿Â½ºÅ×ÀÌÁö ¸¶ÀÌÅ© ½ºÅĵå ÇÊÅÍ (ASMS4730)
169,000
1980³â´ë ´ëÇ¥°î ÇÇ¾Æ³ë ±âŸÄÚµå ¾Çº¸Áý (¿Â¶óÀÎ ¹ÝÁÖ À½¿ø Æ÷ÇÔ)
Songs of the 1980s [00137600]
34,000
Vic Firth Americian Jazz Hickory ½ºÆ½(AJ3)
13,000
ÆÇ¸ÅÁßÀÎ µµ¼­ Ä«Å×°í¸® ½Ç½Ã°£ Àαâ»óǰ
´õ ·¹ÄÚµù
39,000
[Hal Leonard]
John Mayer Guitar Play-Along (00144350)
34,000
Jimi Hendrix - Play like Jimi Hendrix Áö¹Ì Çîµå¸¯½º ±âŸTAB ¾Çº¸Áý (¿Â¶óÀÎ À½¿ø Æ÷ÇÔ) [00127586]
48,200
¹öŬ¸® À½´ë ¸®Çϸð´ÏÁ¦ÀÌ¼Ç Å×Å©´Ð
Reharmonization Techniques (Berklee) [50449496]
52,000
[Musicians Institute]
Music Reading For Guitar (00695192)
34,000
[Hal Leonard]
Arpeggios For The Modern Guitarist (00695862)
37,500





½ºÄð¹ÂÁ÷ ÀÌ¿ë¾È³»
±¸¸Å¾È³» Åù踦 ¹ÞÀ¸½Å ÈÄ »óǰÀ» ²À È®ÀÎÇØ ÁÖ¼¼¿ä.
»óǰ ¼ö·ÉÈÄ 7ÀÏÀÌ Áö³ª¸é ¼ÒºñÀÚ °ú½Ç·Î ó¸®µÇ¾î ±³È¯/¹Ýǰ/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
ÁÖ¹®¾È³» ½ºÄð¹ÂÁ÷ Àå¹Ù±¸´Ï´Â ½ÇÀç°í¿Í ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.
ÁÖ¹® ÈÄ °¡»ó°èÁÂ(¹«ÅëÀå ÀÔ±Ý)´Â 3Àϳ»¿¡, °èÁÂÀÌü Ä«µå°áÁ¦´Â 1½Ã°£ ³»¿¡, ÀÔ±ÝÈ®ÀÎÀÌ µÇÁö ¾ÊÀ¸¸é
ÁÖ¹®¼­°¡ ÀÚµ¿À¸·Î Ãë¼ÒµË´Ï´Ù.
ÁÖ¹®ÀÚ¿Í ÀÔ±ÝÀÚÀÇ ¼ºÇÔÀÌ ´Ù¸¦ °æ¿ì ²À ½ºÄð¹ÂÁ÷À¸·Î ¿¬¶ôÀ» ÁÖ¼Å¾ß ºü¸¥ 󸮰¡ °¡´ÉÇÕ´Ï´Ù.
¹è¼Û¾È³» ½ºÄð¹ÂÁ÷¿¡¼­´Â ¹è¼Û¾÷ü¸¦ CJ´ëÇÑÅë¿î°ú ·ÎÁ¨ Áß ¿øÇÏ´Â Åùè»ç¸¦ ¼±ÅÃÇÒ ¼ö ÀÖ½À´Ï´Ù.
ÃÑ ±¸¸Å¾×ÀÌ 5¸¸¿ø ÀÌ»óÀÏ °æ¿ì ¹è¼Ûºñ´Â ½ºÄð¹ÂÁ÷¿¡¼­ ºÎ´ãÇÕ´Ï´Ù.
(´Ü, µµ¼­,»ê°£Áö¿ªÀº 5¸¸¿ø ÀÌ»óÀÏ °æ¿ì¿¡µµ º°µµÀÇ ¹è¼Ûºñ°¡ Ãß°¡µË´Ï´Ù.)
¹è¼Û±â°£ ´çÀÏ 16½Ã ÀÌÀü ±îÁö ÀÔ±ÝÈ®ÀÎµÈ °Ç¿¡ ÇÑÇØ ´çÀÏÃâ°í°¡ °¡´ÉÇÕ´Ï´Ù.
(´Ü, »óǰÀÇ Àç°íÀ¯¹«¿¡ µû¶ó Â÷À̰¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.)
Åä¿äÀÏ/ÀÏ¿äÀÏ/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.
µµ¼­/»ê°£Áö¿ªÀº 2~3ÀÏ Á¤µµ Ãß°¡ ¼Ò¿äµË´Ï´Ù.
ºÒ°¡Ç×·ÂÀûÀÎ (ÀϽÃǰÀý, Á¦Á¶»ç »óǰ¼ö±Þ ¹®Á¦, õÀçÁöº¯ µî) »çÀ¯·Î ¹è¼ÛÀÌ ´Ê¾îÁú¼ö ÀÖ½À´Ï´Ù.
±³È¯/¹Ýǰ/AS/ȯºÒ ¾È³»
Á¦Ç°ÀÇ º»·¡ ¹Ú½ºÆ÷ÀåÀÌ À¯ÁöµÈ °æ¿ì, ¼ö·É ÈÄ 7ÀÏÀ̳»¿¡ ±³È¯/¹Ýǰ/ȯºÒÀÌ °¡´ÉÇÕ´Ï´Ù.
(´Ü, Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óǰÀÇ °¡Ä¡°¡ »ó½ÇµÈ °æ¿ì¿¡´Â ¹Ýǰ ¹× ±³È¯/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.)
½ºÄð¹ÂÁ÷ÀÇ ½Ç¼ö·Î ÀÎÇÑ °æ¿ì 20ÀÏ À̳»¿¡ ±³È¯/¹Ýǰ/ȯºÒÀÌ °¡´ÉÇÕ´Ï´Ù.
1Â÷ A/S ´ã´ç (ÁÖ)½ºÄð¹ÂÁ÷ / ¼Ûâ´ö ÀÌ»ç 1566-5150
2Â÷ A/S ´ã´ç ¹ÂÁ÷¾ØºÏ½º 031-955-4994
 
±³È¯/¹Ýǰ/ȯºÒ/ºÒ°¡ »çÀ¯ ¾È³»
°øÅë »óǰ ¶Ç´Â Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óǰÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±³È¯ ¶Ç´Â ȯºÒ ½Åû ±â°£ÀÌ °æ°úÇÑ °æ¿ì(7ÀÏÀ̳»)
±¸¸Å ÈÄ »ç¿ë¿¡ ÀÇÇØ »óǰÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±¸¼º»óǰÀÇ ÀϺΰ¡ ´©¶ôµÇ°Å³ª ÈÑ¼ÕµÈ °æ¿ì
¿äû¿¡ ÀÇÇÑ ÁÖ¹® Á¦ÀÛ »óǰÀÎ °æ¿ì
¾ÚÇÁ µî ÀüÀÚ ÀåÄ¡·ù »ç¿ëÀÚÀÇ °ú½Ç·Î ÇÕ¼±µî »óǰ¿¡ °íÀåÀÌ ¹ß»ýÇÑ °æ¿ì
¼³Ä¡Çü ¾Ç±â
(°Ç¹Ý¾Ç±â/Ÿ¾Ç±â)
»óǰ¿¡ ÇÏÀÚ°¡ ¾ø°í ¼³Ä¡°¡ ¿Ï·áµÈ °æ¿ì
ÃëÁ־DZ⠻óǰÀ» »ç¿ëÇÑ °æ¿ì
½ºÆ®¸µ/ÄÉÀÌºí »óǰÀ» °³ºÀÇÑ °æ¿ì
µµ¼­ »óǰÀÇ Æ÷ÀåÀ» °³ºÀÇÏ¿© º¹Á¦ÀÇ ¿©Áö°¡ ÀÖ´Â °æ¿ì
¾×¼¼¼­¸® »óǰÀ» »ç¿ëÇÏ¿© º¯ÇüÀÌ »ý±ä °æ¿ì
ǰÁú º¸Áõ ±âÁØ
±¸ÀÔ ÈÄ 7ÀÏ À̳»
»óǰ ¹× Æ÷ÀåÀÇ ÈÑ¼Õ ¾øÀ½ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»óǰ ¹× Æ÷ÀåÀÇ ÈÑ¼Õ A/S °¡´É
±¸ÀÔ ÈÄ 20ÀÏ À̳»
¿À¹è¼Û,´©¶ô,¹è¼ÛÁß ÆÄ¼Õ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É
Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S,±³È¯ °¡´É
Á¦°øÇÑ »óǰ Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
±¸ÀÔ ÈÄ 30ÀÏ À̳»
Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S, ±³È¯ °¡´É
Á¦°øÇÑ »óǰ Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
±¸ÀÔ ÈÄ 90ÀÏ À̳»
Á¦°øÇÑ »óǰ Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
 
ǰÁú º¸Áõ ±âÁØ
ȯºÒ °úÁ¤ ¹ÝǰµÈ »óǰÀÌ ÆÇ¸ÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ 3ÀÏ À̳»¿¡ ȯºÒ ¾È³» ¹× ó¸®
ȯºÒ Áö¿¬ ¹ÝǰµÈ »óǰÀÌ ÆÇ¸ÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ È¯ºÒ ó¸® ¿Ï·á±îÁö 3ÀÏ ÀÌ»ó °æ°ú
ȯºÒ Áö¿¬ ¹è»ó±Ý ȯºÒ Áö¿¬ÀÌ ¹ß»ýÇÏ´Â °æ¿ì ÇØ´ç ȸ¿ø°í°´¿¡°Ô 5,000¿øÀÇ ¸¶Àϸ®Áö º¸»ó
½ºÄð¹ÂÁ÷ ¼îÇθôÀº °øÁ¤°Å·¡À§¿øÈ¸¿¡¼­ ½ÉÀÇÇÑ Ç¥Áؾà°üÀ» »ç¿ëÇϰí ÀÖ½À´Ï´Ù. ¾à°üº¸±â

ÀÌ »óǰÀº ÇöÀç Àç°í°¡ 2°³ ³²¾Æ ÀÖ½À´Ï´Ù. Close
ÃÖ±Ù 1½Ã°£ µ¿¾È 3¸íÀÇ °í°´ÀÌ ÀÌ »óǰÀ» »ìÆì º¸¼Ì½À´Ï´Ù. Close

 

ÀÌ¿ë¾à°ü | °³ÀÎÁ¤º¸Ã³¸®¹æÄ§ | ÀÎÀçä¿ëÁ¤º¸ | Åë½ÅÆÇ¸Å»ç¾÷ÀÚÁ¤º¸È®ÀÎ | ¹ÌÈ®ÀÎÀÔ±ÝÀÚ | ÆÇ¸Å¼øÀ§
°í°´Áö¿ø¼¾ÅÍ
1566-5150
ÆòÀÏ ¿ÀÀü 10½Ã ~ ¿ÀÈÄ 6½Ã
Á¡½É ¿ÀÈÄ 1½Ã ~ ¿ÀÈÄ 2½Ã
Åä¿äÀÏ, ÀÏ¿äÀÏ/°øÈÞÀÏ ÈÞ¹«
ÀԱݰèÁÂ
¿¹±ÝÁÖ : (ÁÖ)½ºÄð¹ÂÁ÷
¿ì¸®ÀºÇà
1005-401-286115
³óÇù
146-01-113676
±¹¹ÎÀºÇà
651001-01-288453
±³È¯ ¹Ýǰ A/S º¸³¾°÷
(22315) ÀÎõ Áß±¸ ½ÅÆ÷·Î
27¹ø±æ 16 ÇÁ¸°½ººôµù 6Ãþ
(°üµ¿3°¡)
±¸ÁÖ¼Ò
(22315) ÀÎõ Áß±¸ °üµ¿3°¡
5-1 ÇÁ¸°½ººôµù 6Ãþ
¹«ºê·£µå ¸ÞÀÏ
´ëÇ¥ÀÚ¸ÞÀÏ : [email protected]
´ÜüÁÖ¹® : [email protected]
¼­ºñ½º°³¼± : [email protected]
Á¦Ç°°³¹ß : [email protected]
ÀÎÀçä¿ë : [email protected]
¸¶ÄÉÆÃ/±âŸ°ÇÀÇ : [email protected]
º»»ç: (22315) ÀÎõ Áß±¸ ½ÅÆ÷·Î27¹ø±æ 16 ÇÁ¸°½ººôµù 3,4,5,6Ãþ(°üµ¿3°¡)
±¸ÁÖ¼Ò : (22315) ÀÎõ Áß±¸ °üµ¿3°¡ 5-1 ÇÁ¸°½ººôµù 3,4,5,6Ãþ
Tel: 1566-5150 | ÆÑ½º: 032-232-8001 | E-mail: [email protected]
»óÈ£¸í: (ÁÖ)½ºÄð¹ÂÁ÷ | »ç¾÷ÀÚ µî·Ï¹øÈ£: 121-81-89714 | Åë½ÅÆÇ¸Å¾÷½Å°í: Á¦ 2002-ÀÎõÁß±¸-0017È£
´ëÇ¥ÀÌ»ç: ¾ÈÁ¤¸ð | °³ÀÎÁ¤º¸°ü¸®Ã¥ÀÓÀÚ: ±èµ¿¿ì | À̸ÞÀÏÁÖ¼Ò¹«´Ü¼öÁý°ÅºÎ
ºÐÀïÁ¶Á¤ ±â°üÇ¥½Ã: ¼ÒºñÀÚº¸È£¿ø/ÀüÀÚ°Å·¡ºÐÀïÁßÀçÀ§¿øÈ¸ | È£½ºÆÃÁ¦°ø: ¾Æ¸¶Á¸ Ŭ¶ó¿ìµå