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¿ÞÂÊ ¿îÁöÀÇ ÀÀ¿ëÀ» Ű¿ì°í Àû´çÇÑ Èû Á¶Àý µîµî.. ¹®Á¦°¡ µÇ´Â°Ô ¸¹¾Æ ±âÃÊÀûÀÎ ¿¬½ÀÀ» ÇÏ·Á°í »ò½À´Ï´Ù. Ã¥ ³»¿ë Á¤¸® Âü ±ò²ûÇÏ°Ô µÇ¾îÀÖ°í .. ¿ì¼± ³»¿ëÀÌ ¸¹Àº °ü°è·Î ¾î¶²½ÄÀ¸·Î ¿¬½ÀÇØ³ª°¥Áö ¹æ¹ýÀ» Á» ¿¬±¸Çؾ߰ڽÀ´Ï´Ù. ¹è¼Û ±Â »óÅ ±Â !



Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Hal Leonard/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óǰº° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Á¶±¹(¿ø»êÁö) Hal Leonard/USA  [ºê·£µå »óǰ º¸±â] Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶ ǰÁúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
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º£À̽º Çϳó (00696661)
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ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 

 

 

 

Bass Hanon
75 Exercises to Build Endurance and Flexibility for Bass Guitar Players

ÃâÆÇ»ç Hal Leonard
ÀúÀÚ Scott Barnard
¾ÆÀÌÅÛ # 00696661
ºÐ·® 128 ÆäÀÌÁö
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¿Þ¼Õ ÇΰŠÆÐÅÏ, Ç®-¿ÀÇÁ¿Í ÇØ¸Ó-¿Â, ÁÙ °Ç³Ê¶Ù±â, Çϸð´Ð Å×Å©´Ð, ¾Æ¸£ÆäÁö¿À, ½ºÄÉÀÏ, ºí·ç½º ½ÃÄö½º, º£À̽º ÄÚµå, ²Ù¹ÒÀ½ ¿¬ÁÖ, ¸®µë, Çϸð´Ð½º µî ´Ù¾çÇÑ ÁÖÁ¦¿¡ °ÉÄ£ ¿¬½ÀÀÌ ½Ç·ÁÀÖ½À´Ï´Ù.
º£À̽º Ÿºê¾Çº¸·Î ±âº¸µÇ¾î ÀÖ½À´Ï´Ù.


- Contents -

PART I - CORE TECHNIQUE:
1. Left-hand Finger Patterns 1
2. Left-hand Finger Patterns 2
3. Left-hand Finger Patterns 3
4. Left-hand Finger Patterns 4
5. Left-hand Finger Patterns 5
6. Left-hand Finger Patterns 6
7. Left-hand Finger Patterns 7
8. Left-hand Finger Patterns 8
9. Pull-offs & Hammer-ons
10. Pull-offs & Hammer-ons (performance)
11. String Crossing
12. String Crossing (performance)
13. Large Position Changes

PART II - HARMONIC TECHNIQUE
14. Root Notes
15. 3rds and 7ths
16. High Fills with 3rds and 7ths
17. Major 9ths
18. Major Arpeggios
19. Dominant Seventh Arpeggios
20. Augmented 7th Arpeggios
21. Major/Dominant Seventh/Augmented Arpeggios (performance)
22. Minor Arpeggios
23. Diminished Arpeggios
24. Minor/Diminished Arpeggios (performance)
25. Major Scales
26. Minor Scales
27. Major Pentatonic Scales
28. Minor Pentatonic Scales
29. Chromatic Scales
30. Whole Tone Scales
31. Blues Scales
32. Scales (performance)
33. Guide Tones
34. Blues Sequence
35. Blues Sequence (performance)
36. Minor Blues
37. Minor Blues (performance)
38. Tritone Substitution Within a ii7-V7-I
39. Advancing the Harmony (ii Chord)

PART III - ADVANCED STUDY
40. Same Notes, Different Places
41. First-finger Barre Across Two Strings
42. First-finger Barre Across Three Strings
43. First- and Third-finger Barres
44- Chords on the Bass
45. Chords on the Bass (performance)
46. Playing in Octaves
47. Rakes
48. Slides - Short and Fast
49. Slides - Long and Over Multiple Strings
50. Left-hand Damping
51. Right-hand Damping
52. Right Hand as a Volume Pedal
53. Left-hand Mute
54. Left-hand Mute with a Rake (performance)
55. Slap - Thumb Only
56. Slap - Drum Loop
57. Slap (performance)
58. Articulation - Staccato
59. Articulation - Tenuto and Staccato (performance)
60. Articulation (performance)
61. Fast Control
62. Fast Control - String Crossing
63. Fast Control (performance)
64. Rhythm - Soca
65. Rhythm - Latin
66. Rhythm - Latin (performance)
67. Rhythm (performance)
68. Sul Tasto
69. Sul Tasto (performance)
70. Palm Muting
71. Palm Muting (performance)
72. Harmonics - Natural
73. Harmonics - Artificial
74. Harmonics - Artificial (performance)
75. Drop D Tuning (performance)

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ÀÏ¹Ý ±¸¸Å Èıâ( 2 )
ÁÁ¾Æ¿ä ±¸¸Å s******* 2019-05-09
º£À̽º Çϳó? ±¸¸Å a********* 2014-11-19
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[1]

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