´õºí º£À̽º µå·³Àº ÆÄ¿ö, ½ºÇǵå, À¯¿¬¼ºÀ» ´õÇÒ ¼ö ÀÖ¾î¼ »õ·Î¿î Â÷¿øÀÇ µå·³ ºñÆ®¸¦ ¸¸µå´Âµ¥ Å« ¿ªÇÒÀ» ÇÕ´Ï´Ù. ¹öŬ¸® À½´ë¿¡¼ ÃâÆÇÇÑ ÀÌ Ã¥+¿Â¶óÀÎ À½¿ø ±³º»¿¡´Â ÀçÁî/Ç»Àü µå·³À» À§ÇÑ ´õºí º£À̽º Æä´Þ ÆÐÅϵéÀÌ Ã¼°èÀûÀ¸·Î ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù. ¿Â¶óÀÎÀ¸·Î Á¦°øµÇ´Â 38°³ÀÇ À½¿ø Æ®·¢À» ÅëÇØ ¿¬½À ÆÐÅϵéÀÇ ¸ð¹ü ¿¬ÁÖ¸¦ µéÀ¸¸é¼ È¥ÀÚ ¿¬½ÀÇÒ ¼ö ÀÖ½À´Ï´Ù. ´õºí º£À̽º Æä´Þ ¿¬½ÀÀ» ÅëÇØ ÀçÁî µå·³ »Ó¸¸ ¾Æ´Ñ ¸ðµç µå·¯¹Ö¿¡¼ ÀÏÁ¤ÇÑ ¼Óµµ¸¦ À¯ÁöÇÏ´Â ¹æ¹ý°ú ÀçÁî, ÆãÅ©, ¶ô, ¿ùµå ¹ÂÁ÷ µîÀÇ ´Ù¾çÇÑ À帣¿¡¼ ´õºí º£À̽º¸¦ Ȱ¿ëÇÑ ¼Ö·Î¿Í ÇÊÀÎÀ» ¿¬ÁÖÇÏ´Â ¹æ¹ýÀ» ÀÍÈú ¼ö ÀÖ½À´Ï´Ù. ±³º»ÀÇ Ã¹ ÆäÀÌÁö¿¡ ÀμâµÇ¾î ÀÖ´Â »çÀÌÆ® ÁÖ¼Ò¿Í ¾×¼¼½º ÄÚµå·Î ¿Â¶óÀÎ À½¿øÀ» ½ºÆ®¸®¹ÖÀÌ ¶Ç´Â ´Ù¿î·ÎµåÇÒ ¼ö ÀÖ½À´Ï´Ù.
- Contents -
AUDIO ACKNOWLEDGMENT INTRODUCTION Introduction to the Musical Application Excerpts Excerpt 1. ¡°The Speed of Heat¡± by the USAF Academy Band Excerpt 2. Open Live Solo with the USAFA Falconaires Big Band Excerpt 3. Live Drum Solo at the Berklee Performance Center Excerpt 4. Drum Solo with the USAFA Falconaires Big Band Excerpt 5. Double Bass Drum Control Example Excerpt 6. Duet with Steve Hunt DRUM KEY
LESSON 1. Duple-Feel Constant Flow Exercises Timetable I with Double Bass Drum Timetable II with Hi-Hat and Snare Drum Sixteenth-Note Double-Pedal Control Duple-Feel Endurance Exercises Duple-Feel Grooves
LESSON 2. Triplet-Feel Constant Flow Exercises Eighth-Note Triplet Double Bass Control Triple-Feel Endurance Exercises Triple-Feel Grooves
LESSON 3. Etudes ¡°One for Kelly¡± "Hip Shuffle¡±
LESSON 4. Polyrhythms, Power Shuffles, and Coordination Exercises Fusion Triplets: ¡°The Dave Weckl 3¡± ¡°Shifting Time¡± Etude Triple-Feel Groove Ideas Coordination of Double Bass
LESSON 5. Etudes ¡°Weckling This" ¡°Weckling That¡±
LESSON 6. Duple-Feel Bursts and Double Bass Etude Types of Burst Burst 1. Four Notes with the Feet, One Note with the Hand Burst 2. Eight Notes with the Feet, One Note with the Hands Burst 3. Five Notes with the Feet Burst 4. Nine Notes with the Feet "Bursting Out of Here¡±
LESSON 7. Triple-Feel Bursts Types of Bursts Burst 1. Three Notes with the Feet, One Note with the Hands Burst 2. Six Notes with the Feet, One Note with the Hands Burst 3. Four Notes with the Feet Burst 4. Seven Notes with the Feet "Bursting Out of There¡±
LESSON 8. Basic Double Strokes Exercises Exercise 1. Right-Foot Lead Doubles Exercise 2. Right-Foot Lead Reverse Doubles Exercise 3. Left-Foot Lead Doubles Exercise 4. Left-Foot Lead Reverse Doubles Exercise 5. Reversing the Singles Exercise 6. Reversing the Doubles Filling In: Linear Exercises Triplet Feel "Linear Triplets¡± Etude
LESSON 9. Double Strokes in Duple Feel Exercises Exercise 1. Right-Foot Lead Doubles Exercise 2. Right-Foot Lead Reverse Doubles Exercise 3. Left-Foot Lead Doubles Exercise 4. Left-Foot Lead Reverse Doubles Exercise 5. Reversing the Singles Exercise 6. Reversing the Doubles Filling In: Linear Exercises Duple Feel ¡°Linear Duple Feel" Etude
LESSON 10. False Triplets False Triplet Roll Single-Hand Exercises Exercise 1. RH on Floor Tom Exercise 2. LH on High Tom Exercise 3. Reading Eighth Notes Exercise 4. Reading Quarter Notes Exercise 5. RH Solo/Fill Ideas Exercise 6. LH Solo/Fill Ideas Exercise 7. RH Groove Ideas Exercise 8. LH Reading Text Exercise 9. LH Reading Text While the RH Moves Back and Forth False Triplets Timetable ¡°The B Line¡± Sections A to C Sections D and E
LESSON 11. Quads Single Quads Single Quads Timetable Quasi-Quads Double Quads Timetable Reverse Double Quads Timetable ¡°Heavy Weather¡± (A.K.A. Rolling Blast) "Six Reasons¡±
LESSON 12. Power Fills Two- and Five-Note Fills with the Hands Exercise 1. Two-Note Groupings Exercise 2. Five-Note Groupings Exercise 3. Six-Note Groupings Exercise 4. Interpreting Eighth and Quarter Notes Exercise 5. Power Fill Ideas Linear Fills Fills with Unison Bass Drum and Cymbals Reverse Linear Power Fills Reverse Linear Fills with Unison Bass Drum and Cymbals Triplet Feel Linear Fills with Triplet Feel Linear Fills with Unison Bass Drum and Cymbals Reverse Linear Power Fills Reverse Fills with Unison Bass Drum and Cymbals ¡°Paradoubles"
ABOUT THE AUTHOR |