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Preface Author's Notes
I. The Dorian Mode II. The Mixolydian Mode III. Combining the Dorian and Mixolydian Modes IV. The Lydian Mode V. The Lydian Flat Seven VI. The Diminished Chord and the Symmetric Diminished Scale VII. The Sharp I Diminished Scale VIII. The Phrygian Mode IX. The Aeolian Mode X. The Jazz Melodic Minor Scale XI. The Harmonic Minor Scale XII. The Locrian Mode XIII. Exercises Applying Material from the Last Four Chapters XIV. The Turn Back XV. Augmented Chords and the Whole Tone Scale XVI. Tunes My Two Either Way Mr. T Sweet Con Solo on Blues Changes |