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- Contents -

Beginning Fingerstyle Guitar

INTRODUCTION

CHAPTER 1 - Getting Started
The Open Strings
Roman Numerals
If Was Tuned When I Bought It!
Fingerboard Blackout and How to Prevent It
Music Notation

CHAPTER 2 - Technique
Playing Position
The Left Hand
The Right Hand

CHAPTER 3 - Basic Fingerstyle Patterns
Pattern #1
Pattern #2
Pattern #3
Pattern #4

CHAPTER 4 - Playing Two Lines
Open Position Exercises
Open String Blues
Combining Open and Fretted Notes

CHAPTER 5 - Basic Theory
Or, Why Did the Chicken Cross the Road?
The Major Scale
A Minor Diversion: The Natural Minor Scale
Meeting the Relatives: The Relative Minor
Numerical Formulas: Parallel Relationships
Key Signatures

CHAPTER 6 - Basic Chords
How Many Chords Are There, Anyway?
Basic Chord Theory
Diatonic Harmony
Playing Open Chords

CHAPTER 7 - More Fingerstyle Patterns
Pattern #5
Pattern #6
Pattern #7

CHAPTER 8 - Alternating Bass
Basic Alternating Bass Patterns
Slash Chords
Shadow Boxing
Picking on Travis
The Backwards Roll
Alternating Bass Etude #1
Alternating Bass Etude #2
Alternating Bass Etude #3

CHAPTER 9 - Some More Fingerstyle Patterns
Pattern #8
Pattern #9
Pattern #10
Pattern #11

CHAPTER 10 - Other Fingerstyle Basics
Melody in the Bass
Syncopation
Syncopated Etude
Walking Bass Lines
Harmonizing Melodies with Intervals
Interval Etude in G
Interval Etude in A

CHAPTER 11 - Special Techniques
Hammer-ons and Pull-offs
Slur Etude
Harp-Style Playing
Harp-Style Etude
Natural Harmonics
Hamonics Etude

CHAPTER 12 - Alternate Tunings
Drop D Tuning
Drop D Blues
Open G Tuning
Open G Blues
Open Minded

CHAPTER 13 - Fingerstyle Pieces
Tips for Playing the Pieces
Three Plus Three Plus Two
Surfin' in the Sand
Coffee Time Rag
Blues in G
Boogie in E
Sounds Like Lightning
Garden Song
Lucy's Waltz
The Lightning Through the Leaves

AFTERWORDS
On Practicing
Express Yourself
Listening



Intermediate Fingerstyle Guitar

ABOUT THE AUTHOR
INTRODUCTION

CHAPTER 1 - Review of the Basics
The Open Strings
Roman Numerals
Music Notation

CHAPTER 2 - Fingerstyle Patterns
Review of Patterns #1 - #11
Pattern #12
Pattern #13
Pattern #14
Pattern #15

CHAPTER 3 - Special Techniques
Multiple Hammer-ons and Pull-offs
Desert Ride
Night Out
Artificial Harmonics
Star Catcher

CHAPTER 4 - Barre Chords
The Technique
Root 6 and Root 5 Barres
Alternative Barre Fingerings
Handle the Barres
Spanish Nights
A Minor Detail

CHAPTER 5 - More Fingerstyle Patterns
Pattern #16
Pattern #17
Pattern #18
Pattern #19

CHAPTER 6 - Diatonic Harmony
The Major Scale
Diatonic Harmony - Triads
Four Types of 7th Chords
Diatonic Harmony - 7th Chords
Seventh Heaven
Horizontal Hold
Jazzberry Jam

CHAPTER 7 - Alternate Tunings
Drop D Tuning Review
Notes to James
Open G Tuning Review
Orpheus Returns
Open D Tuning
Blues for Taj
DADGAD Tuning
For Pierre
Open C Tuning
Seeing You Again

CHAPTER 8 - Inversions
Inverting the Triads
Slash Chord Notation
Inversions on the Top Three Strings
Buddy's Back
Three's in Three
Inversions on the 4th, 3rd and 2nd strings
Hammering Away

CHAPTER 9 - Exploring Bass Lines
Walking Bass Lines - Review
Walking Around
Goin' Down
Boogie Beat
Arpeggio Bass Lines
Ray's Rockin'

CHAPTER 10 - The Modes
Two Views of the Modes
A Dorian Mood
All Mixed Up

CHAPTER 11 - Counterpoint
Three Kinds of Movement
The Cat's Meow

CHAPTER 12 - Arranging
Scarborough Fair - Melody
Scarborough Fair - Melody and Slow Bass
Scarborough Fair - Melody and Quicker Bass
Scarborough Fair - In Three Voices
Scarborough Fair - Contrapuntal

EXPLORING THE STYLES
Dancing Dreams - In the Style of John Fahey
Rise and Shine - In the Style of Leo Kottke
The Road to You - In the Style of Michael Hedges
Thanks to Josie - In the Style of Adrian Legg
Smash the Windows - An Irish Tune
Si Beag Si Mor - An Irish Classic by O'Carolan
Hot Pepper Blues - Fingerstyle Blues
Hangin' Around - Fingerstyle Blues
After Dark - Fingerstyle Blues
The Reverend's Rag - Fingerstyle Blues in the Style of Rev. Gary Davis

AFTERWORD

APPENDIX - OPEN CHORDS



Mastering Fingerstyle Guitar

ABOUT THE AUTHOR
INTRODUCTION

CHAPTER 1 - Tone and Balance
Fingernail Care
The Free Stroke
The Rest Stroke
The Thumb
Alternating Rest and Free Stroke
Planting
Balanced Control

CHAPTER 2 - Exploring the Harp
Harp Finger Pattern on Individual Strings
Harp Finger Pattern Using Two Strings
Harp Finger Pattern Using Three Strings
Harp Finger Pattern Using Four Strings
Harp Finger Pattern Using Five Strings
Harp Finger Pattern Using Six Strings

CHAPTER 3 - Chord Formulas
Formula #1: Chords in 2nds
Formula #2: Chords in 3rds
Formula #3: Chords in 4ths
Formula #4: Mixed Intervals
Formula #5: Drop-Two Voicings
Formula #6: Drop-Three Voicings

CHAPTER 4 - Sense of Touch
Gray Tones
Gray Tones into Clear Tones
Relaxing the Left Arm
Shifting Technique: Impulse and Momentum
Pussy Footing
Square and Diagonal Frames
Vibrato
Bending Vibrato

CHAPTER 5 - Fingerstyle Speed
Right-Hand Preparation for Tremolo
Coordinating Left-Hand Patterns with Right-Hand Tremolo
Four-Note Left-Hand Patterns with Right-Hand Tremolo
Three-Note Left-Hand Patterns with Right-Hand Tremolo
Two-Note Left-Hand Patterns with Right-Hand Tremolo
One-Finger Left-Hand Patterns with Right-Hand Tremolo
Speed Bursts
Sequences

CHAPTER 6 - Modern Techniques
Expression & Invention
Left-Hand Tapping
Left-Hand Tapping with Pull-Offs
Left-Hand Tapping with Right-Hand Drumming
Left-Hand Tapping with Left-Hand Drumming
Left-Hand Tapping in Double Stops
Left-Hand Tapping in Double Stops with Pull-Offs
Left-Hand Tapping in Double Stops with Right-Hand Drumming
Left-Hand Tapping in Double Stops with Left-Hand Drumming
Right-Hand Tapping
Left- and Right-Hand Tapping in Triple Stops
Tapping Triple Stops with Right- and Left-Hand Drumming & Introducing "The Scrape"
Tapping Triple Stops in Triplets with Pull-Offs
Tapping and Slapping the Blues in E
Tapping and Drumming an A Minor Blues
Tapping a Walking Bass Line for a Blues in E
The Ostinato Pattern, Right-Hand String Stopping and Slap Harmonics
Tapping with Pull-Offs in Triplets
Tapping with Pull-Offs in Sixteenth Notes
Harmonics Combined in Intervals with Non-Harmonics
Artificial Harmonics
Harmonics in Alternation with Non-Harmonics

CHAPTER 7 - Alternate Tunings
Dorian Tuning: C, G, C, Eb, A, D
Phrygian Tuning: C, G, Db, F, G, C
Lydian Tuning: C, G, D, E, F#, B
Mixolydian Tuning: C, G, Bb, E, G, C
Aeolian Tuning: D, G, D, G, Bb, F
Major #5 Tuning: D, G, D, G, B, D#
Pentatonic Tuning: C, F, C, G, A, D
Creating Your Own Arrangements in Altered Tunings
Alternate Tuning Summary
Alternate Tuning Note Guide

CHAPTER 8 - Arranging and Composition
The Creative Process - The Seed Metaphor
Mehodology
A "To Do..." List for Composers and Arrangers
Arranging Scarborough Fair
Rhythmic Variations
Motivic Variations
Melodic Elasticity
Same Rhythms, Different Melody
Harmonic Variations
Modulation
Structural and Rhythmic Mapping
Playful Melodic Variation